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Dara GILL

Dara Gill knows how to provoke anxiety. At Kudos right now you can not watch his video Untitled (Prototype: un-viewable nailbiting video) 2011.  When a visitor enters the space sensors ensure that none of the truncated video is revealed.  By doing almost nothing, Gill manages to achieve a lot. Indeed, the very passivity of  the artist’s role, and the silence of the work itself, multiplies the experience of frustration. In the end I had to ask what the unviewable footage depicted. The answer? Dara Gill biting his nails. As Brave As You, continues at Kudos until 28 May 2011.

New Movement

On Sunday I made shoes at MOP. I discovered that it’s really hard to re-imagine the ubiquitous. My shoes were carved from two thick pieces of polystyrene and secured in place with knotted scarfs. Pretty conventional really compared to the ones that the Bababa boys made. Check out MOP’s website if you want to have a go. Also, the Bababa International exhibition, New Movement, contains cake.

Tim SCHULTZ

What happens when you leave a Rococo painting in the back of your mind to fester for a while? You get a fabulous Tim Schultz painting. Schultztown at MOP is a salon hang of Schultz’s Surrealist-neo-Rococo works from the last decade. The paintings are rich, sexy, ironic and droll. Cracking architecture, morphing limbs and cyclopheads. Schultztown is a delight. Exhibition closes 10 April 2011.

Jensen Gallery

A rather subdued show of abstract paintings by Callum Innes opened Andrew Jensen’s new Sydney space on Wednesday night.  Jensen Gallery (hailing from Auckland) represents a number of respected international artists, so I’m pretty pleased about this kiwi-ditch-jump. How great would it be to see a Tony Oursler show around the corner in Paddington?

Ivan BULJAN

Dreams are not afraid of the absurdity of life. The theories we rely on to perceive the world and make it meaningful melt away when our subconscious takes over. Ivan Buljan’s composite photographs in Metropolis evoke surreal spaces in which gaps in understanding are allowed to blossom. These rich and intriguing images remind me to question perception and, perhaps most importantly, to notice the absurd. Exhibition continues at Gaffa Gallery until 8 March 2011.

Art Month

Summer ends tomorrow. Bummer. But Art Month starts! Wow, that was supposed to sound comforting, but I’m still thinking about how summer ends tomorrow. Bummer. Anyway, the Art Month launch party is at the Ivy, so at least there will be cocktails.

Patricia Alvarez and Kath Fries’ collaborative installation / performance Clothe the wold and meet the sky is a human driven web of hair and fibres. It’s feminine, tactile and a little bit trippy. The artists’ treatment of their materials oscillates between unruly and controlled, resulting in an eerie ”wold” that is part intention, part imagination and part accident. The medium is message here I think. If weaving is about making connections between things, then this entangled cave is an apt analogy for the strangely beautiful mess we make when we interact/connect with others. Check out a short video of Thursday Night’s performance hereExhibition continues at Gaffa Galleries until 8 March 2011.

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